Verdis opera byggd på viktor hugos skådespel
The opera's original title, La maledizione The Curse , refers to a curse placed on both the Duke and Rigoletto by a courtier whose daughter the Duke has seduced with Rigoletto's encouragement. The curse comes to fruition when Gilda falls in love with the Duke and sacrifices her life to save him from the assassin hired by her father.
In August, Verdi and Piave retired to Busseto , Verdi's hometown, to prepare a defensive scheme as they continued work on the opera. However, Verdi kept at least a third of the score at Busseto. The scene in which he retired to Gilda's bedroom would be deleted, and his visit to the Taverna inn would no longer be intentional, but the result of a trick.
Rigoletto premiered on 11 March in a sold-out La Fenice as the first part of a double bill with Giacomo Panizza 's ballet Faust. He was wrong, and rumours began to spread in early summer that the production would be forbidden. Verdi was completely against this proposed solution, preferring to negotiate directly with the censors over each and every point of the work.
Gaetano Mares conducted, and the sets were designed and executed by Giuseppe Bertoja and Francesco Bagnara.
That came in the form of Victor Hugo 's controversial five-act play Le roi s'amuse "The king amuses himself". The audience, thinking it was an intentional gag, was very amused. Several modern productions have radically changed the original setting. The singers were given some of their music to learn on 7 February. A magnificent hall in the ducal palace.
Doors at the back open into other rooms, splendidly lit up.
Rigoletto is an opera in three acts [a] by Giuseppe Verdi. Scene 1: Mantua. Different characters portray different archetypes from the Rat Pack era, with the Duke becoming a Frank Sinatra -type character and Rigoletto becoming Don Rickles.
5 Major Operas Based on the Works of Victor Hugo
From the beginning, both composer and librettist knew this step would not be easy. Its tragic story revolves around the licentious Duke of Mantua , his hunch-backed court jester Rigoletto, and Rigoletto's daughter Gilda. Piave set to work revising the libretto, eventually pulling from it another opera, Il Duca di Vendome , in which the sovereign was a duke and both the hunchback and the curse disappeared. The play had been banned in France following its premiere nearly twenty years earlier not to be staged again until ; [3] now it was to come before the Austrian Board of Censors as Austria at that time directly controlled much of Northern Italy.
Despite their best efforts, including frantic correspondence with La Fenice, the Austrian censor De Gorzkowski emphatically denied consent to the production of "La Maledizione" its working title in a December letter, calling the opera "a repugnant [example of] immorality and obscene triviality.
Category:Operas based on works by Victor Hugo - Wikipedia
By January the parties had settled on a compromise: the action of the opera would be moved, and some of the characters would be renamed. La Fenice of Venice commissioned Verdi in to compose a new opera. He initially asked Francesco Maria Piave with whom he had already created Ernani , I due Foscari , Macbeth , Il corsaro and Stiffelio to examine the play Kean by Alexandre Dumas, père , but soon came to believe that they needed to find a more energetic subject.
Verdi immediately realised he was paralysed and roughly pushed him on the stage, so he appeared with a clumsy tumble. The hunchbacked jester originally called Triboulet was renamed Rigoletto from the French word rigoler from a parody of a comedy by Jules-Édouard Alboize de Pujol : Rigoletti, ou Le dernier des fous Rigoletti, or The last of the fools of Verdi finally completed the composition on 5 February , a little more than a month before the premiere.
In the new version, the Duke would preside over Mantua and belong to the Gonzaga family. It initially had a run of 13 performances and was revived in Venice the following year, and again in Despite a rather disastrous production in Bergamo shortly after its initial run at La Fenice, the opera soon entered the repertory of Italian theatres.
He was prominent enough by this time to enjoy some freedom in choosing texts to set to music.
Rigoletto aria
He brought it with him when he arrived in Venice for the rehearsals on 19 February, and would continue refining the orchestration throughout the rehearsal period. As Verdi wrote in a letter to Piave: "Use four legs, run through the town and find me an influential person who can obtain the permission for making Le Roi s'amuse.
Rigoletto was a great box-office success for La Fenice and Verdi's first major Italian triumph since the premiere of Macbeth in Florence. Piave had already arranged for the sets to be designed while Verdi was still working on the final stages of act 3. Despite serious initial problems with the Austrian censors who had control over northern Italian theatres at the time, the opera had a triumphant premiere at La Fenice in Venice on 11 March The work, Verdi's sixteenth in the genre, is widely considered to be the first of the operatic masterpieces of Verdi's middle-to-late career.
The House of Gonzaga had long been extinct by the midth century, and the Dukedom of Mantua no longer existed. By , it had premiered in all the major cities of Italy, although sometimes under different titles due to the vagaries of censorship e. Verdi later explained that "The subject is grand, immense, and there is a character that is one of the greatest creations that the theatre can boast of, in any country and in all history.
Varesi was very uncomfortable with the false hump he had to wear; he was so uncertain that, even though he was quite an experienced singer, he had a panic attack when it was his turn to enter the stage.